Arthur Devis
1712-1787
English
By 1728 he had left Preston, and the following year he was working in London for the Flemish topographical and sporting painter Peter Tillemans. There he specialized in landscape painting and copying various works in Tillemans studio after Marco Ricci, Giovanni Paolo Panini and Jan van Bloemen. Devis earliest known commission, Hoghton Towers from Duxon Hill, Lancashire (1735; priv. col., see 1983 exh. cat., no. 3), painted for Sir Henry Hoghton during a trip to Preston in 1734-5, shows Tillemans influence in its attention to detail and the use of thin, transparent paint. Thomas Lister with his Family (c. 1738; Chicago, IL, A. Inst.) demonstrates a similar interest in landscape, featuring the family group in Gisburn Park, Lancs. Devis had returned to London by 1742 and established himself as a painter of conversation pieces, with a studio in Great Queen Street. Roger Hesketh with his Family is typical of his work at this time; it shows how Devis transformed the intimacy of a Dutch 17th-century genre scene into an elegant interior with the group of sitters connected by formal, schematic gestures. Roger Hesketh stands apart, in a tastefully contrived pose, his legs crossed and right arm thrust inside his waistcoat. His son, Fleetwood, stands with his hand resting on a dog next to his wife, who is seated with an infant on her lap. The adjacent telescope, globe and marine paintings are intended to advertise Hesketh interest in astronomy and travel. Related Paintings of Arthur Devis :. | Ophelia | Philip Howard Seated before a panorama of the river Eden at Corby Castle | Portrait of an Elderly Woman | Self-Portrait | The Knight of the Sun | Related Artists: John Roddam Spencer StanhopeEnglish Pre-Raphaelite Painter, 1829-1908,English painter. The second son of Yorkshire landed gentry, he was educated at Rugby and Christ Church, Oxford. In 1850 he studied in London with G. F. Watts, through whom he entered the artistic circle at Little Holland House, where he met D. G. Rossetti and Edward Burne-Jones. In 1857 Rossetti invited him to paint at the Oxford Union (Sir Gawaine and the Damsels at the Fountain), and in 1858 Stanhope occupied a studio next to Rossetti's at Chatham Place, Blackfriars (London), where he painted Thoughts of the Past (London, Tate); a modern-life subject indebted to Rossetti, it shows a prostitute recalling her former life. Stanhope's close friendship with Burne-Jones proved a more decisive influence on his work that, in the 1860s, consisted of dreamlike poetic and mythological subjects often set in quaint, enclosed spaces, as in I Have Trod the Winepress Alone James Monroe (April 28, 1758 - July 4, 1831) was the fifth President of the United States (1817-1825). Monroe was the last president who was a Founding Father of the United States, and the last president from the Virginia dynasty and the Republican Generation. His presidency was marked both by an "Era of Good Feelings" a period of relatively little partisastrife and later by the Panic of 1819 and a fierce national debate over the admission of the Missouri Territory. Monroe is most noted for his proclamation of the Monroe Doctrine in 1823, which stated that the United States would not tolerate further European intervention in the Americas.
Born in Westmoreland County, Virginia, Monroe fought in the American Revolutionary War. After studying law under Thomas Jefferson from 1780 to 1783, he served in the Continental Congress. As an anti-federalist delegate to the Virginia convention that considered ratification of the United States Constitution, Monroe opposed ratification, claiming it gave too much power to the central government. Nonetheless, Monroe took an active part in the new government and in 1790 he was elected to the Senate, where he joined the Jeffersonians. He gained experience as an executive as the Governor of Virginia and rose to national prominence when as a diplomat in France he helped negotiate the Louisiana Purchase in 1803.
During the War of 1812, Monroe held the critical roles of Secretary of State and the Secretary of War under President James Madison. Facing little opposition from the fractured Federalist Party, Monroe was easily elected president in 1816, winning over 80 percent of the electoral vote. As president, he sought to ease partisan tensions and embarked on a tour of the country. He was well received everywhere, as nationalism surged, partisan fury subsided and the "Era of Good Feelings" ensued. The Panic of 1819 struck and dispute over the admission of Missouri embroiled the country in 1820. Andrea LilioAndrea Lilio (1555/1570 - after 1639) was an Italian painter born in Fano, not far from Ancona, hence he also is known as L'Anconitano.
Die Geschichte des Hl. NikolausHe painted mainly in his native city, as well as in Rome, where he was active from the beginning of the 17th century until around 1640. He was employed by Pope Sixtus V in the decoration of the library of the Vatican and in the decoration of the Scala Santa in San Giovanni Laterano. In the latter, he painted, Moses striking the Rock and Moses with the Brazen Serpent.
Said to have been a pupil of Federico Barocci, he painted in a Mannerist style, already outdated in Baroque Rome at the time. Nevertheless, Lilio created a popular niche for himself by painting allegories for aristocratic audiences. In fact, it is altogether possible that Lilio collaborated for the illustrations of Cesare Ripa's Iconologia, which was a popular source for such motifs for a very long time. He died at Ascoli Piceno.
In a chapel of the Chiesa Nuova, he painted The Archangel Michael driving fallen angels from Heaven. He continued to ornament churches and convents of Rome during the reign of Pope Clement VIII.
One of his masterpieces, the Martyrdom of Saint Lawrence, was painted for Santa Caterina in Ancona. He painted the Christ Washing the Feet of His Disciples for the nave of Santa Maria Maggiore in Rome. He also was part of the team active in the painting of the Sistine chapel (chapel of Nativity) in Santa Maria Maggiore. For the cathedral of Fano, he painted a picture of All Saints.
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